“天聽&&hauntedLandscape” 將呈現對於氣霧、靈魂、鬼魂、以及科技在我們創作中的思考。我們將分享創作時的靈感來源，以及我們如何相互受到對方的作品啟發，並描繪“天聽&&hauntedLandscape”這樣的一幅地景，是如何形塑我們的感知；從空氣污染、圖像上傳、到人工智慧的非人推力。同時也討論我們創作的過程；生成、提取、再製造影像對我們的意義。在對談分享中，也期待與參與者討論大家與圖像的關係。
“天聽 && hauntedLandscape” presents the vapours, spirits, ghosts, and technologies of our art. We share our inspirations, including how we are inspired by each other’s work. We detail the ways in which our environments, the 天聽 && hauntedLandscape itself, shapes our perspectives, from air pollution to the nonhuman forces of Artificial Intelligence. We will also share some process of our making, what it means for us to generate, extract from, and reproduce images. In this talk, we also invite audience to discuss their/our relationship with image and data.
“The game is a dark, western-themed walk through a dreary landscape made up of visual glitches. In fact, the experience was a little overwhelming… unsettling.
鬼鎮 (Ghosttown) Spirit Simulator is a haunting game that… me feel like there was something wrong …like I was a ghost trapped in this glitchy hell.
鬼鎮 (Ghosttown) Spirit Simulator isn’t a game I would play for fun, but it’s an important piece of the history of glitch art — history that’s constantly being made by new media artists like Jon Cates.”
https://thirdcoastreview.com/2022/06/19/ghosttown-spirit-simulator-chicago-gamespace/
/imagine “19th Century spirit photography in the future of cyberpunk Taipei Taiwan” 李拜拜 (Li Bye-Bye) prompt to Midjourney, creating:
未來長輩 — 李拜拜 (Li Bye-Bye)
幽魂的照片：AI 當機藝術 幻影術攝影，1839，金山 (goldMountain)
Pictures of Ghosts: AI Glitch Art Spirit Photography，1839，金山 (goldMountain)
銀版法的具體步驟為：形成「潛影」；先以水銀（汞）蒸汽顯影；陰影部分透明，可以看到黑暗色的鍍銀銅板表面，便成為一幅正像的照片。。。
The specific steps of the silver error type of chronophotography are as follows: a “latent image” forms; first, it is developed with mercury (mercury) vapor; the shadow is transparent, and the surface of the dark silver-plated copper plate appears to becomes a positive image photograph. . .
陳呈毓 Chen Chen Yu
陳呈毓居住及工作於台北，他的創作實踐涉獵於各種混合媒材。透過錄像、裝置、雕塑等複合媒材，探討信仰、慾望、焦慮等社會的感性是如何透過物質性的社會活動來傳播。在描繪生產消費、資源攫等全球資本現象如何驅動著人類行為的同時，他的作品暴露著其中的怪誕。而另一方面在作品中透過物質性的探索，思考在資本-技術的驅力下，人、物、環境所相互建構及滲透的關係與邊界。近期參展於台北美術館、光州國立文化殿堂、鳳甲美術館、亞洲雙年展、香港藝術中心等。
jonCates
Jon Cates 是在「Glitch Art/當機藝術」領域中的創始學者藝術家。自1999年起至今，多次在博物館、藝廊與國際節慶上進行媒體藝術展覽或放映，成果豐碩，列舉如下：紐約電影博物館、芝加哥當代藝術館、巴塞爾藝術年度展會、維也納博物館、鳳甲美術館（台灣台北)、Ende Tymes末日藝術節（紐約），族繁不及備載。「偕子鷹是當機藝術和GIF像素動畫的巨擘，」 — — 〈藝術五十：芝加哥藝術家的藝術家〉美國西部片當機電影、遊戲和 AI NFT 系列《鬼鎮》和《金山》，集恐怖與美麗於一身。」
20230825 7PM 藝術宮 artgong
https://goo.gl/maps/FZgXrojKrfsSQa2W9
